H.I. No. 4: Feedback on Feedback: Difference between revisions

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Grey: Mm-hmm.
Grey: Mm-hmm.


Brady: Isaac Newton, uh, you know, all those- all those guys, Hook and Boyle back then, all the way through to your modern greats, you know, Einstein was a- was a Fellow, uh, Niels Bohr, all the way through to Peter Higgs and people like that today,--
Brady: Isaac Newton, uh, you know, all those- all those guys, Hooke and Boyle back then, all the way through to your modern greats, you know, Einstein was a- was a Fellow, uh, Niels Bohr, all the way through to Peter Higgs and people like that today,--


Grey: Mm-hmm.
Grey: Mm-hmm.
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Brady: --or you were lukewarm about it. What did you- what did you think? You just kind of--
Brady: --or you were lukewarm about it. What did you- what did you think? You just kind of--


Grey: Oh, no, I think- I- I- I really liked it. I thought it was it was really interesting to see. So yeah, when we when we We went on a tour, that we got to go downstairs into the vault blow, and basically see all of the original documents. And it's almost hard to describe because there was such a great variety of things down there. But if you imagine this huge vault, and it would just have the original written letters from all of these famous scientists, to the Royal Society, or from explorers who were writing in about, you know, what they were seeing in new places. And it was almost just very overwhelming in the amount of stuff
Grey: Oh, no, I think- I- I- I really liked it. I thought it was- it was really interesting to see, so, um, yeah- when we- when we went on a tour, um, yeah we got to go downstairs into the vault below, and basically see all of the original documents. And, it's almost hard to describe because there was such a great variety of things down there, um, but if- if you imagine this- this huge vault, and it would just have the original written letters from all of these famous scientists, right, um, to the Royal Society, or from explorers who were writing in about, you know, what they were seeing in- in- in new places, um, and it was almost just very overwhelming in the amount of stuff that is there.


Brady: Yeah. Like, all handwritten too, isn't it?
Brady 45:38
that is handwritten too, isn't it?


Grey: Yeah, that- yeah, that was- that- that was the thing is- is--
Unknown Speaker 45:39
Yeah, that Yeah, that was that. That was the thing is


Brady: Yeah, "oh, it's a letter from Isaac Newton. Oh, what's he got to say from it?"
Brady 45:42
a letter from Isaac Newton. Oh, what's he got to say from it? Yeah,


Grey: Yeah, I mean- oh- I- I- I- I did- I did tell my wife we came back, like, I know it was all in this vault, but it was like shockingly casual, some of the stuff that was just, oh, laying around.
Grey 45:45
I did. I did tell my wife we came back I know it was all in this vault. But it was like shockingly casual. Some of the stuff that was just laying around August he was nice enough to give us a tour. I kept saying to him like it makes me nervous. like looking at all the stuff. You know, the the one example, you know was the death mask for Isaac Newton. So the clay I guess it was I'm not sure what the material was that they put over his face after he died, you know to get a print of his face. Oh, it's just like there on the shelf, you know, waiting to be knocked over by you know some clumsy idiot like me who's wandering around and not paying attention.


Brady 46:22
Brady: [giggles]
I'll tell you this quick quick, quick interjection here Rupert, who's the other guy that works in the library who you spoke to briefly, but he was the one that came down with this. He normally is the guy that has to handle that mask, and he's done it a few times for me for videos and things like that. And he has a recurring nightmare over time. He drops that mask and it shatters like haunts him. Yeah. And every time I asked him to pick it up, like he he goes a little bit white and tells me you know about my dream, don't you see? So you're not the only one who worries about that?


Grey: The archivist who was nice enough to give us a tour, I kept saying to him, like, "it makes me nervous, like, looking at all the stuff". You know, uh, the- the one example, um, you know, was the- the death mask for Isaac Newton, so the, like, clay, I guess it was, I'm not sure what the material was--
Grey 46:50
Yes, that was that was that was one of my prevailing feelings there was just like, worry for all of these objects. And we did. We were Talking about how, you know, some of the stuff like like that mask has been digitized. You know, they've done high resolution 3d scans with that. But there's just so many papers and documents that they, they don't have any other copies, except the ones that are in that vault. And it's it. You know, it was very interesting. And, you know, one of the examples that was given is, is like, you don't know necessarily how this stuff is going to be valuable in the future. And the example that was mentioned was talking about the have, you know, all these records of the weather, you know, coming back for hundreds of years, which just sounds like the most boring thing in the whole wide world, right? until, you know, that stuff starts to matter when people are doing, you know, research for the global weather system. And now you actually want that kind of data to be available. And you've got


Brady 47:49
Brady: Yeah.
sea levels from Australia from you know, 1800 and,


Grey: --that they put over his face, uh, after he died, you know, to get a- a- a print of his face. Oh, it's just like, there, on the shelf, you know, um, like, waiting to be knocked over by, you know, some clumsy idiot like me who's- who's wandering around and not paying attention. Um,--
Grey 47:51
yeah, all of this stuff that just seems just so random. It's so bizarre. Like I can't even remember what was We looked at that book. Maybe you can remind me what what the deal was, but it was it was a book and it had collections of drawings of a volcano, that some member of the Royal Society had paid a monk to go.


Brady: I'll tell you a- just a quick- quick- quick interjection here,--
Brady 48:13
It was. It was serious. Yes,


Grey 48:15
Grey: Yeah.
that's right. It was yes. And one of the members had paid this monk you know, in the days before photography, to go outside every day and sketch What the What Mount Vesuvius looked like what the volcano look like, Yeah, not the


Brady: --Rupert, who's the other guy that works in the library,--
Brady 48:27
plume of smoke out, changing shape and things


Grey: Yes.
Unknown Speaker 48:30

attended to him, as he said, like it was it was like the 1700s version of a webcam. Yeah, right where the webcam takes a picture every 30 minutes, but you can't have a webcam, you just have a monk and you pay him some money and he sends you a sketch every day. And and that was just, you know, collected in this book. So it was it was very, it was really interesting to see.
Brady: --who, he you spoke to briefly, but--

Grey: Yeah.

Brady: --he wasn't the one that came down with us. He normally is the guy that has to handle that mask,--

Grey: Mm-hmm.

Brady: --and he's done it a few times for me for videos and things like that.

Grey: Mm-hmm.

Brady: And he has a recurring nightmare--

Grey: [laughs]

Brady: --all the time, that he drops that mask and it shatters, like, it haunts him.

Grey: Yeah.

Brady: And every time I asked him to pick it up, like, he- he goes a little bit white and tells me "you know about my dream, don't you?". So- so, you're not the only one who worries about that.

Grey: [laughing] Yeah, so- that was- that was- that was one of my prevailing feelings there, um, was just like, worry, for all of these objects. Um, and we did- we were talking about how, you know, some of the stuff like- like that mask has been digitized, you know, they've done high resolution 3D scans of that. Um, but there's just so many papers and documents that they- they don't have any other copies, except the ones that are in that vault. Um, and it's- er- you know, it- it- it was very interesting, and, um, you know, one of the examples that was given is- is like, you don't know necessarily how this stuff is going to be valuable in the future, uh, and- and the example that was mentioned was talking about they have, you know, all these records of- of the weather, you know, going back for hundreds of years, which just sounds like the most boring thing in the whole wide world, right? Until, you know, that stuff starts to matter when people are doing, uh, you know, research for the global weather system,--

Brady: Yeah.

Grey: --and now you actually want that kind of data to be available. Um,--

Brady: Yeah, yeah, and you've got, like, the sea levels from Australia from, you know, 1800 and things.

Grey: Yeah, all of this stuff that just seems, uh, just so random and so bizarre, like I can't even remember what was- we looked at that book, maybe you can remind me what what the deal was, but it was- it was a book and it had collections of drawings of a volcano, that some member of the Royal Society had paid a monk to take--

Brady: Oh, yeah, it was--

Grey: --to go- to go outside--

Brady: --it was Vesuvius, wasn't it? It was Vesuvius.

Grey: Yes, that's right, it was Vesuvius.

Brady: Yeah, yeah.

Grey: And one of the members had paid this monk, you know, in the days before photography, to go outside every day--

Brady: Yeah.

Grey: --and sketch what the, uh, what, uh, Mount Vesuvius looked like, what the volcano look like--

Brady: Yeah, like not the plume of smoke,--

Grey: Yeah.

Brady: --how it was changing shape and things, yeah.

Grey: --and- and send it to him. As I said, like, it was- it was like the 1700s version of a webcam.

Brady: Yeah.

Grey: Right? Where the webcam takes a picture every 30 minutes,--

Brady: Yeah.

Grey: --but you can't have a webcam, you just have a monk--

Brady: [giggles]

Grey: --and you pay him some money and he sends you a sketch every day. And- and that was just, you know, collected in- in this book. Um,--

Brady: Yeah.

Grey: So it- it was- it was very- it was really interesting to see. Um,--

Brady: It was funny we went with, uh, with our friend Angela from Google,--

Grey: Mm-hmm.

Brady: --and I did find it funny when we were down there, because I just love all that old stuff, and--

Grey: Mm-hmm.

Brady: --the- the romance of it, but you and Angela who are both much more, kind of, digital people,--

Grey: [chuckles]

Brady: --and all you could think about was "has this been scanned?" or--

Grey: Yes.

Brady: --"who should scan this?" and--

Grey: Yes.

Brady: --"where could this be preserved electronically?" and- whereas I was like, "oh, let's touch this" or "oh, doesn't this smell wonderful?".

Grey: Yeah, that is true, that is true. You had your hands all over everything, and--

Brady: [giggles]

Grey: --and, uh, you know, again, I was- I was surprised to- to know that it's- it is okay to handle these materials, just like with your gross monkey hands, like with all their sweat on them, and- and like- just--

Brady: Yeah.

Grey: --and dirt, and they're like, "oh, no, don't worry" you know, "you pick up these- these letters from Robert Hooke. That's totally fine, don't worry. And though they're originals, we don't have any extra copy, but we're going to let you just touch them". Um,--

Brady: And they prefer you to not use gloves, which is the- the secret no one tells you,--

Grey: Yes.

Brady: --because, um, because if you're gloves, you kind of lose that- that dexterity and that touch and you're more likely to--

Grey: Yeah.

Brady: --drop something or rip something or--

Grey: Yeah, you end up being more likely to damage it. Which is also- which is surprising. Uh,--

Brady: Hmm.

Grey: --and another example of how things in TV and movies are not accurate representations of- of real life. The one thing that was a very almost overwhelming moment, uh, was being able to see the kind of original edition of Isaac Newton's, uh, Principia Mathematica, you know, the book- the book that is basically the- the founding stone of- of much of modern physics. Uh, and that was- that was really amazing to be able to see and to be able to actually hold in my hands, and I made you take a- a picture of that, that was great.

Brady: I know, I- I knew you liked that when you asked for a photo.

Grey: Yeah, and- and honestly, it was only because I saw you going around touching absolutely everything and- and handling stuff and like "whoops, almost dropped it" you know, um,--

Brady: [giggles]

Grey: --that I had- I had the- the bravery to ask if I could hold that book, and I could not believe it when they said "yes, you can- you can hold it". Um, because to be- to be clear, this is Isaac- Isaac Newton's seminal work and that copy, it wasn't just a first edition, that was his hand written copy in big sections with notes to the printer,--

Brady: Yeah.

Grey: --and so it's like, that- like, you know, he actually slaved over that book for who knows how long.

Brady: Yeah.

Grey: And that was the copy that got sent off to the printer, um, you know, to make the first edition, so it's almost like the zeroth edition of that book. Um,--

Brady: It is pretty cool.

Grey: --so that- I have to say that was- that was an, uh, an amazing moment. But no, I--

Brady: But I was got- I- my- I bukop- my hope was that, you know, that you would say, "Oh, I could make a few videos here using all this source material", like, I- I want to see some CGP Grey videos, you know, using- using all these old documents from hundreds of years ago with some new spin on some country or some border or something we'd never realized before.

Grey: Yeah, I've got to say it's- it's been- it's been running in the back of my mind how to take advantage of that. Um, so I- I have- I have some thoughts, um, and I'm- I'm also again, like, I'm really glad to know that that resource is there.

Brady: Yeah.

Grey: It's- it's amazing to be able to see the original- original stuff. But- but it's also- often- it's um, you just- you come across strange surprises when you're dealing with original materials, [phone vibrates] um, and so I'm going to mention something slightly- something slightly nerdy here,--

Brady: Hmm.

Grey: --um, but- when I was in- in college, I was rereading, uh, the Lord of the Rings series. And I thought, "ooh, let me start the beginning, I'm going to start with The Hobbit". And by the way people, if you haven't read the hobbit yet, spoiler warning coming up here, so you should pause your podcast, now. Um,--

Brady: Should I take my headphones off? Because I haven't read The Hobbit.

Grey: You haven't read The Hobbit? Are you kidding me?

Brady: [guilty sigh] Yeah, I haven't read The Hobbit.

Grey: Are you serious?

Brady: I haven't read Lord of the Rings either.

Grey: [sighs] Well,--

Brady: Do you think less of me?


Grey: I'm just surprised actually,--
Brady 48:52
It was funny we went with, with our friend Angela from Google, and I did find it funny when we were down there because I just love all that old stuff and the romance of it, but you and Angela who are both much more kind of digital people, all you could think about was has this been scanned or who should scan this and where Could this be preserved electronically? And whereas I was like, oh, let's touch this or doesn't this smell?


Brady: [chuckles]
Grey 49:15
That is true. That is true. You had your hands all over everything. And, you know, again, I was surprised to know that it's it is okay to handle these materials just like with your gross monkey hands, like with all their sweat on them and like in dirt, and they're like, Oh, no, don't worry, you know, you pick up these these letters from Robert Hooke. That's totally fine don't worry and their originals we don't have any extra copy but we're going to let you just touch them. And they prefer you to not use gloves which is the secret no one tells you


Grey: --I don't think- it's not that I- I think less of you, I'm just- I'm honestly surprised that you- you have not read it. Do you know the basic story of The Hobbit?
Brady 49:46
Yeah, cuz because if your gloves you kind of lose that that dexterity and that touch and you're more likely to drop something or rip something.


Brady: Yes, I know the basic story.
Grey 49:54
Yeah, you end up being more likely damaged, which is also which is surprising. And another example of how they In TV and movies are not accurate representations of real life. The one thing that was a very almost overwhelming moment was being able to see the kind of original edition of Isaac Newton's Principia Mathematica, you know, the book, the book that is basically the founding stone of much of modern physics. And that was that was really amazing to be able to see and to be able to actually hold in my hands and I made you take a picture of that now I knew you liked that when you asked for a photo. Yeah. And And honestly, it was only because I saw you going around touching absolutely everything and handling stuff and like whoops, almost dropped it, you know, that I had I had the the bravery to ask if I could hold that book. And I could not believe it when they said yes, you can. You can hold it. Because to be clear, is Isaac, Isaac Newton's seminal work and that copy? It wasn't just a first edition. That was his hand written copy in big sections with notes to the printer. Yeah, so it's like that, like, you know, he actually slaved over that book for who knows how long. And that was the copy that got sent off to the printer, you know, to make the first edition. So it's almost like the zeroeth edition of that book is pretty cool. So I have to say that was that was an amazing moment.


Grey: Okay, so I'm not going to ruin anything with the basic story then, so--
Brady 51:28
But no, I just, my hope was that, you know, that you would say, Oh, I could make a few videos here using all this source material. Like, I want to see some CGP Grey videos, you know, using using all these old documents from hundreds of years ago with some new spin on some country or some border or something we'd never realized before.


Brady: Yeah.
Grey 51:48
Yeah, I've got to say it's been it's been running in the back of my mind how to take advantage of that. So I have I have some thoughts and i'm i'm also again, like, I I'm really glad to know that that resource is there. It's it's amazing to be able to see the original original stuff. But it's also often it's you just you come across strange surprises when you're dealing with original materials. And so I'm going to mention something slightly, something slightly nerdy here. But when I was in college, I was rereading the Lord of the Rings series. And I thought, let me start the beginning. I'm going to start with the Hobbit. And by the way, people if you haven't read the hobbit yet, spoiler warning coming up here. So you should pause your podcast now.


Grey: --and, you're just gonna have to listen to this anyway, because--
Brady 52:38
Take my headphones off, because I haven't read the whole book.


Brady: Yeah.
Grey 52:40
You haven't read the hobbit? Are you kidding me?


Grey: [laughs] --because this- this is what we're doing now.
Unknown Speaker 52:42
Yeah, I haven't read The Hobbit. Are you serious? I haven't read Lord of the Rings either.


Brady 52:49
Brady: Okay.
Well, I think less of me.


Grey: Um,- [laughs] so I figured "I'll start the beginning, I'll read The Hobbit", and I'm reading The Hobbit, and I had read it once as a- as a kid, and I'm going through the book and everything is totally normal until the- the pivotal scene between Bilbo and Gollum. And the- the pivotal scene in the book where Bilbo, uh, he sort of steals the ring from Gollum and, you know, makes his way out of the- of the, uh, underneath this mountain and escapes.
Grey 52:51
I'm just surprised actually, I don't think it's not that I think less of you. I'm just I'm just honestly surprised that you you have not read it. Do you know the basic story of The Hobbit.


Brady: I did see that in the film, I have seen the first film.
Brady 53:00
Yes, I know the basic story.


Grey: Yeah, so there's like a fight, right? There's- there-
Grey 53:01
Okay, so I'm not going to ruin anything with the basic story then So, and you're just gonna have to listen to this anyway. Because Yeah, this is what we're doing now. So I figured I'll start the beginning. I'll read The Hobbit, and I'm reading The Hobbit and I had read it once as a kid, and I'm going through the book and everything is totally normal until the pivotal scene between Bilbo and Gollum. And the pivotal scene in the book where Bilbo he sort of steals the ring from Gollum and you know, makes his way out of the underneath this mountain and escapes. I did say that in the film. I have seen the first film Yeah, so there's like a fight right? There's there Yeah,


Brady: Yeah. It's a battle of wits in a way it was.
Brady 53:41
it's a battle of wits in a way it was.


Grey 53:43
Grey 53:43